THIS PODCAST CONTAINS LANGUAGE AND CONTENT SOME PEOPLE MAY FIND OFFENSIVE. THE VIEWS EXPRESSED IN THIS EPISODE ARE THE OPINIONS OF THE HOST AND GUESTS.
Welcome to series two of #ToppleUncaged!
Every week, The Canary will be bringing you an innovative podcast for the media landscape; hosted by me, Steve Topple.
In a special episode, I feature the first move into music by a global athletics superstar, record breaker, and now record producer: Usain Bolt.
Mr Topple meets Usain Bolt
I had the chance to fire some questions at the legendary Bolt. He’s just released his debut music production Olympe Rosé, an instrumental track known as a “riddim”. As electronicbeats.net describes, a riddim is:
A rhythm – or ‘riddim’ – is an instrumental track created by a producer or label that’s given to vocalists to create their own versions. In the early days of dancehall, each version was released as a separate single, but since the early 2000s a batch of versions will usually be released as a digital album. The beauty of this format is that it allows for a method of genre development based on iteration; the pressure is not only to innovate, but to improve. You can have multiple great songs with the same rhythm, ensuring that no vocal idea remains undeveloped.
Olympe Rosé is in partnership with champagne brand G.H. Mumm, which has released a special edition rosé featuring Bolt’s name inscribed on the bottle.
Five artists, all big names in the dancehall genre, have put their own interpretations across Olympe Rosé: These very different tracks come from Dexta Daps, Christopher Martin, Ricardo “Bibi” Gardner, Ding Dong, and Munga Honorable. Alongside Bolt on production duties was Rajah Karanja Nelson.
The riddim is grounded in dancehall, but has distinct afrobeat vibes. The artists’ interpretations vary, from Gardner’s use of a combination of intricate rhyming patterns across both vocals and singjay (a combination of singing and rapping), to Martin’s multi-layered, full-on production.
‘Marley is my hero’
Overall, Bolt has created a fresh, intricate and exciting package. As he told me:
Bob Marley is my musical hero. His music is timeless and still relevant today.
If the legendary artist were still alive, it would be fascinating to hear his thoughts on another legend’s first steps into the music world.
Listen below to hear Bolt’s answers, read by me, to my questions. He told me about his thoughts on the reggae scene, how his athletic skills crossed over into the music industry, and whether we’re going to be seeing more tracks from this global star.
CanaryPod: #ToppleUncaged meets… Usain Bolt show notes:
Presented, produced and edited by Steve Topple.
Sound engineering by Gav Pauze.
Olympe Rosé track listing:
Olympe Rosé intro by Usain Bolt.
Top A Di Top by Ding Dong.
Mount A Gyal by Bibi Gardner.
Dweet by Christopher Martin.
Weekend by Munga Honorable.
Big Moves by Dexta Daps.
Olympe Rosé riddim (Instrumental) by Rajah Karanja Nelson.
Olympe Rosé (Medley Mix) by all artists.
Download all the tracks on your preferred platform here.
Follow on Twitter:
Steve Topple @MrTopple; The Canary @TheCanaryUK; Usain Bolt @usainbolt; Nicola Jeffery @NicolaCJeffery; Gav Pauze @PauzeRadio; Rai Star Music @rai_star113
Use the hashtags #ToppleUncaged #CanaryPod
Find out more about Gav Pauze.
Topple Uncaged Theme Music: Lost Souls by Lee Wrizzle.
All other tracks via Usain Bolt and Rajah Karanja Nelson.
Featured image via Steve Topple, Maurice – Wikimedia and Usain Bolt
We need your help to keep speaking the truth
Every story that you have come to us with; each injustice you have asked us to investigate; every campaign we have fought; each of your unheard voices we amplified; we do this for you. We are making a difference on your behalf.
Our fight is your fight. You’ve supported our collective struggle every time you gave us a like; and every time you shared our work across social media. Now we need you to support us with a monthly donation.
We have published nearly 2,000 articles and over 50 films in 2021. And we want to do this and more in 2022 but we don’t have enough money to go on at this pace. So, if you value our work and want us to continue then please join us and be part of The Canary family.
In return, you get:
* Advert free reading experience
* Quarterly group video call with the Editor-in-Chief
* Behind the scenes monthly e-newsletter
* 20% discount in our shop
Almost all of our spending goes to the people who make The Canary’s content. So your contribution directly supports our writers and enables us to continue to do what we do: speaking truth, powered by you. We have weathered many attempts to shut us down and silence our vital opposition to an increasingly fascist government and right-wing mainstream media.
With your help we can continue:
* Holding political and state power to account
* Advocating for the people the system marginalises
* Being a media outlet that upholds the highest standards
* Campaigning on the issues others won’t
* Putting your lives central to everything we do
We are a drop of truth in an ocean of deceit. But we can’t do this without your support. So please, can you help us continue the fight?