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Equity welcomes government backpedalling on AI training

The Canary by The Canary
18 March 2026
in News, UK
Reading Time: 3 mins read
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Equity, the performing arts and entertainment trade union, has welcomed the announcement that the government is to row back on the ‘opt-out’ exception to copyright for AI training. The union says it’s:

recognition that selling out the UK’s creative industries to benefit US tech companies would’ve been an act of national self-sabotage.

The report and impact assessment on Copyright and Artificial Intelligence, published jointly today by the Department for Science, Innovation and Technology, Department for Culture, Media and Sport, and the Intellectual Property Office, says the government:

will not introduce reforms to copyright law until we are confident that they will meet our objectives for the economy and UK citizens.

The report continues:

In view of the concerns raised by stakeholders, and the continued uncertainty about the likely effects of an exception with opt-out, a broad copyright exception with opt-out is no longer the government’s preferred way forward.

And it also mentions personality rights – something Equity raised – saying:

We propose to explore options that address these risks, while promoting growth and innovation. This will include considering whether a new personality right may be appropriate.

An ‘opt-out’ exception was the government’s preferred option this time last year. This would have allowed developers to scrape creators’ work online to train AI models without active consent from, or pay for, the creators. Equity opposed this position, describing it as ‘legalising theft’ of creators’ work.

Commenting on the report on AI and Copyright, Equity’s general secretary, Paul W Fleming, said:

The government has taken a welcome and marked change of approach, which has included engaging with Equity at the highest level in detail, and in advance of this announcement.

The pause announced today is recognition that selling out the UK’s creative industries to benefit US tech companies would’ve been an act of national self-sabotage. The UK should be the best place on the planet to create, supporting the government’s growth agenda through a strong copyright regime and respect for creative workers.

We welcome the government’s intention to introduce measures on digital replicas and we look forward to working with them to develop new protections against unauthorised and unpaid use of a performer’s voice and likeness, the bedrock of our members’ careers.

What creators need after this pause is a firm commitment to copyright and neighbouring rights and support for collective licensing for AI uses, including via existing trade union collective bargaining mechanisms. We look forward to working with the Labour government on how best to secure these reasonable aspirations.

Equity believes that licensing frameworks for AI training are entirely capable of facilitating fair and remunerated use of creators’ work, and are already emerging in various sectors. Collective bargaining mechanisms, including Equity’s, which cover 90% of UK film and TV production, already exist for this purpose.

Rather than pave the way for a transfer of wealth from UK creative industries to US tech companies, today’s statement gives needed reassurance to UK creators that AI developers must pay to use their work, just as in any other context.

Recent analysis of three studies commissioned by the tech industry shows that none of the studies demonstrates that a copyright exception for AI would deliver a net benefit to the UK economy, even while the studies mostly failed to account for the impact on creative industries.

Featured image via the Canary

Tags: trade unionsworkers rights
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Comments 1

  1. D71 says:
    3 months ago

    This is good, however, copyright is seriously problematic in itself – 50 years of copyright for a song, for a book you get a life-time plus 70 years, so the dead benefit from legal protection, and this gets messy when corporations own the copyright. There is no national benefit, no UK benefit to creative industries, only individual and, often, corporate, benefit, the rest is jingoism. The income from creatives isn’t pooled and shared out FFS. And creatives aren’t doing this for everyone, it’s for themselves, knowing that they (actually others) can flog a song for decades after they wrote it, without lifting a finger, and at no-cost (digital copies are essentially free). Whilst I agree with not allowing AI-corps to scrape people’s work in this way, copyright protection needs to be much more progressive, of limited in time and or copies sold (if you flog a milkion albums in 6 months I’d say you’re done, society owes you no more protection). When someone who writes some songs can become a billionaire, the problem is colyright, as that has moved way beyond any music’s worth.

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