A sculpture of a Black Lives Matter protester erected on the plinth where a statue of slave trader Edward Colston used to stand has been removed.
Artist Marc Quinn created the life-size black resin and steel piece of Jen Reid after seeing a photo of her standing on the empty plinth following the toppling of the Colston statue in Bristol.
The sculpture, A Surge Of Power (Jen Reid) 2020, was installed shortly before 4.30am on 15 July by Quinn’s team without the knowledge or consent of Bristol City Council.
At around 5.20am on 16 July, council contractors used webbing straps to hoist the 7.5ft high piece off the plinth and place it into a skip lorry.
Bristol City Council tweeted: “This morning we removed the sculpture.
“It will be held at our museum for the artist to collect or donate to our collection.
“Bristol Mayor Marvin Rees issued a statement yesterday about the need for a democratic process where the people of Bristol decide the future of the plinth.”
On 15 July, Rees issued a statement describing the sculpture as “the work and decision of a London-based artist” and said permission was not requested for it to be installed.
During a Facebook Live on the same day, Rees said people had differing views within the city and people needed to know that they had been “respected and there was a fair and just process” if they did not get what they wanted.
“Putting a statue on that plinth overnight did not come in line with that process and therefore it can’t stay,” Rees said.
“It will be protected. It’s an incredible piece of work to a very inspirational woman.”
He said he believed an empty plinth was a “very powerful statement” as it represented a city that had stopped and was thinking about what it wanted to do next.
The sculpture was created by Quinn after he saw an image on Instagram of Reid standing on the empty plinth with her fist in the air after the Colston statue had been toppled.
He contacted the stylist, who lives in Bristol, on social media and she agreed to collaborate with him on the artwork.
More than 200 cameras in his studio were used to create a 3D print and a mould for the piece.
Reid described the sculpture as “so important” and said it helped keep the journey towards racial justice moving.
“This sculpture is about making a stand for my mother, for my daughter, for black people like me,” she said.
Quinn said the sculpture was not put on the plinth as a “permanent solution” and acknowledged that it may only last “a day” or weeks before being removed.
“We want to keep highlighting the unacceptable problem of institutionalised and systemic racism that everyone has a duty to face up to,” he said.
If the statue is sold, profits will be donated to Cargo Classroom and the Black Curriculum – two charities chosen by Reid.
On 7 June, protesters on the Black Lives Matter march used ropes to pull the Colston statue from its plinth in the city centre.
It was rolled to the harbourside, where it was thrown in the water at Pero’s Bridge – named in honour of enslaved man Pero Jones who lived and died in the city.
The city council retrieved the statue on 11 June. It will be put on display in a museum with placards from the Black Lives Matter protest at a later date.
We know everyone is suffering under the Tories - but the Canary is a vital weapon in our fight back, and we need your support
The Canary Workers’ Co-op knows life is hard. The Tories are waging a class war against us we’re all having to fight. But like trade unions and community organising, truly independent working-class media is a vital weapon in our armoury.
The Canary doesn’t have the budget of the corporate media. In fact, our income is over 1,000 times less than the Guardian’s. What we do have is a radical agenda that disrupts power and amplifies marginalised communities. But we can only do this with our readers’ support.
So please, help us continue to spread messages of resistance and hope. Even the smallest donation would mean the world to us.