The northern lights may be more than just a visual delight

Conrad Bower

The visual beauty of the northern lights has inspired generations of artists to capture their ghostly splendour. People viewing these artistic impressions are often left with a longing to see this natural light show for themselves, so it’s no wonder that viewing the northern lights tops many a bucket list. But what may surprise you is that there are sounds associated with particularly strong occurrences of northern lights.

Strange sounds have been reported during very intense northern lights (a.k.a. aurora borealis) displays, by people living in northern areas of the planet, for hundreds of years. An attempt to record northern light sounds in Alaska was made in 1960, but failed. And since there is no theory to explain how they could be produced many geophysicists did not believe they exist.

Until Professor Unto K. Laine, of Aalto University, Finland, brought his considerable talents to bear on the problem. Laine has proposed a new inversion layer hypothesis to explain the auroral sounds. An inversion layer occurs when a layer of cold air is formed close to the ground, with a layer of hotter air above it. This is opposite situation to the usual case, hence the inversion.

The crackling and popping sounds associated with the northern lights were originally recorded by Laine in 2013, during an exceptionally strong display in southern Finland, of which Laine says:

I recorded hundreds of sound events in Fiskars where the temperature was at -20 °C. I selected the 60 loudest events, the sources of which were directly above the recording microphone array. The magnetic pulses that preceded these sounds proved that their sources were at an altitude of approximately 75 metres.

But it wasn’t until he combined these results with those of the Finnish Meteorological Institute (FMI), which recorded an inversion layer at the same height as Laine’s recording, that the inversion layer theory was born. The FMI data also showed a strong correlation between the magnetic pulse strength and loudness of the sounds.

According to the inversion layer hypothesis an electric charge is built up by the ‘lid’ of warmer air in the inversion layer. This gradient of static electricity is then discharged, resulting in sparks and sound, by the geomagnetic forces of the northern lights.

Smoke "dome" caused by inversion layer. Image via Wikimedia Commons
Smoke “dome” caused by inversion layer. Image via Wikimedia Commons

Inversion layers are only present in calm weather conditions, a small breeze can prevent them forming. Laine thinks this is why the sounds are only heard during calm weather conditions, and may also explain the failure to record the sounds in 1960. Growing up in Ostrobothnia, Finland, Laine had previous experience of inversion layers:

When the weather was calm in winter, smoke from cottage chimneys rose straight up in a vertical line, stopped abruptly and began to spread into a horizontal dome over the village,

Laine emphasises that the hypothesis does not rule out other mechanisms, but it does provide an explanation to three mysteries surrounding these sounds:

  • How the sound is created
  • How we can hear sound when the auroral light source is 80-100 km away
  • How the sound events occur simultaneously with visual observations (it takes sound 0.2 seconds to travel 75 metres)

So if you do go on holiday to see the northern lights you may be lucky enough to hear them as well as see them. And if you want a little respite from the ensuing chaos of Brexit, maybe now is a good time to tick the northern lights off your bucket list.

 

Featured image of Northern Lights in Greenland via Wikimedia Commons

We need your help ...

The coronavirus pandemic is changing our world, fast. And we will do all we can to keep bringing you news and analysis throughout. But we are worried about maintaining enough income to pay our staff and minimal overheads.

Now, more than ever, we need a vibrant, independent media that holds the government to account and calls it out when it puts vested economic interests above human lives. We need a media that shows solidarity with the people most affected by the crisis – and one that can help to build a world based on collaboration and compassion.

We have been fighting against an establishment that is trying to shut us down. And like most independent media, we don’t have the deep pockets of investors to call on to bail us out.

Can you help by chipping in a few pounds each month?

The Canary Support us

Comments are closed